"I CAN´T GO ON, I´LL GO ON"
“I CAN´T GO ON, I´LL GO ON" - frase de coxia, de camarim, de epígrafe de livro, para dia de palco, para ator, escritor, artista de circo, cantor, pintor, e só podia ser de SAMUEL BECKETT, The Unnamable.
NA IMAGEM - Cacilda Becker. Abaixo, filme de Jenny Triggs (1999) sobre o texto de Beckett.
How false this space is! What falseness instantly, to want to draw that round you, to want to put a being there! A cell would be plenty.
If I gave up! If only I could give up! Before beginning, before beginning again! (What breathlessness! That's right, ejaculations! That helps you on, that puts off the fatal hour. No? The reverse? I don't know.) Start again, in this immensity, this obscurity: go through the motions of starting again - you who can't stir, you who never started. (You the who?) (Go through the motions? What motions? You can't stir.)
You launch your voice, it dies away in the vault. (It calls that a vault - perhaps it's the abyss: those are words). It speaks of a prison (I've no objection), vast enough for a whole people, for me alone (or waiting for me). I'll go there now, I'll try and go there now.
I can't stir.
I'm there already! I must be there already! Perhaps I'm not alone: perhaps a whole people is here, and the voice its voice, coming to me fitfully. We would have lived, been free a moment. Now we talk about it, each one to himself (each one out loud for himself). And we listen. A whole people, talking and listening, all together! That would ex .....
No, I'm alone (perhaps the first, or perhaps the last): talking alone, listening alone, alone alone. The others are gone, they have been stilled (their voices stilled, their listening stilled, one by one, at each new-coming). Another will come? I won't be the last? I'll be with the others (I'll be as gone) in the silence? (It won't be I, it's not I.)
I'm not there yet. I'll go there now, I'll try and go there now.
No use trying. I wait for my turn: my turn to go there, my turn to talk there, my turn to listen there, my turn to wait there for my turn to go, to be as gone. (It's unending, it will be unending.) Gone where? Where do you go from there? You must go somewhere else, wait somewhere else, for your turn to go again, and so on (a whole people, or I alone). And come back? And begin again? No: go on, go on again. It's a circuit, a long circuit. I know it well. (I must know it well.)
It's a lie. I can't stir. I haven't stirred. (I launch the voice? I hear a voice.) There is nowhere but here. There are not two places, there are not two prisons. It's my parlour (it's a parlour!), where I wait for nothing. I don't know where it is, I don't know what it's like, that's no business of mine. I don't know if it's big, or if it's small, or if it's closed, if it's open. (That's right, reiterate: that helps you on.) Open on what? There is nothing else, only it. Open on the void, open on the nothing. (I've no objection: those are words.) Open on the silence, looking out on the silence, straight out - why not? All this time on the brink of silence, I knew it! On a rock, lashed to a rock, in the midst of silence. Its great swell rears towards me, I'm streaming with it. (It's an image: those are words.) It's a body, it's not I - I knew it wouldn't be I. I'm not outside, I'm inside, I'm in something, I'm shut up: the silence is outside. Nothing but this voice and the silence all round. No need of walls? Yes, we must have walls: I need walls, good and thick. I need a prison (I was right), for me alone. I'll go there now, I'll put me in it.
I'm there already: I'll start looking for me now, I'm there somewhere. It won't be I - no matter, I'll say it's I. Perhaps it will be I. Perhaps that's all they're waiting for (there they are again) to give me quittance. Waiting for me to say I'm someone, to say I'm somewhere, to put me out, into the silence.
I see nothing. It's because there is nothing. Or it's because I have no eyes. Or both. (That makes three possibilities, to choose from.) But do I really see nothing? It's not the moment to tell a lie. But how can you not tell a lie? What an idea!
A voice like this, who can check it? It tries everything. It's blind, it seeks me blindly, in the dark. It seeks a mouth, to enter into. Who can query it? There is no other. You'd need a head? you'd need things? I don't know. I look too often as if I knew. It's the voice does that: it goes all knowing, to make me think I know, to make me think it's mine.
It has no interest in eyes. It says I have none, or that they are no use to me. Then it speaks of tears. Then it speaks of gleams. It is truly at a loss. Gleams? Yes: far or near. (Distances: you know, measurements. Enough said?) Gleams, as at dawn. Then dying, as at evening. Or flaring up - they do that too: blaze up more dazzling than snow, for a second (that's short!), then fizzle out.
That's true enough? If you like: one forgets, I forget. I say I see nothing, or I say it's all in my head (as if I felt a head on me!). That's all hypotheses, lies. These gleams too: they were to save me, they were to devour me. That came to nothing. I see nothing (either because of this or else on account of that). And these images at which they watered me, like a camel, before the desert? I don't know. More lies, just for the fun of it? (Fun! What fun we've had! What fun of it!) All lies? (That's soon said - you must say soon, it's the regulations.)
The place. I'll make it all the same. I'll make it in my head, I'll draw it out of my memory, I'll gather it all about me. (I'll make myself a head, I'll make myself a memory.) I have only to listen: the voice will tell me everything (tell it to me again), everything I need - in dribs and drabs, breathless.
It's like a confession, a last confession. You think it's finished, then it starts off again: there were so many sins, the memory is so bad. The words don't come, the words fail, the breath fails.
No, it's something else. It's an indictment, a dying voice accusing. (Accusing me: you must accuse someone, a culprit is indispensable.) It speaks of my sins, it speaks of my head. It says it's mine, it says that I repent, that I want to be punished, better than I am, that I want to go, give myself up (a victim is essential). I have only to listen. It will show me my hiding-place: what it's like, where the door is (if there's a door), and whereabouts I am in it. And what lies between us, how the land lies, what kind of country (whether it's sea, or whether it's mountain). And the way to take, so that I may go, make my escape, give myself up, come to the place where the axe falls (without further ceremony) on all who come from here. (I'm not the first, I won't be the first.) It will best me in the end (it has bested better than me). It will tell me what to do, in order to rise, move, act like a body endowed with despair. (That's how I reason, that's how I hear myself reasoning.)
All lies: it's not me they're calling, not me they're talking about. It's not yet my turn, it's someone else's turn. That's why I can't stir, that's why I don't feel a body on me. I'm not suffering enough to be able to stir, to have a body (complete with head, to be able to understand), to have eyes to light the way. I merely hear, without understanding, without being able to profit by it (by what I hear). To do what? To rise and go and be done with hearing.
I don't hear everything, that must be it, the important things escape me: it's not my turn. (The topographical and anatomical information in particular is lost on me.) No, I hear everything (what difference does it make?), the moment it's not my turn: my turn to understand, my turn to live, my turn of the life-screw (it calls that living!), the space of the way from here to the door. It's all there, in what I hear, somewhere - if all has been said, all this long time. All must have been said. But it's not my turn to know what: to know what I am, where I am, and what I should do to stop being it, to stop being there (that's coherent), so as to be another (no? the same? I don't know), depart into life, travel the road, find the door, find the axe (perhaps it's a cord) for the neck, for the throat, for the cords. (Or fingers: I'll have eyes, I'll see fingers.) It will be the silence. (Perhaps it's a drop: find the door, open the door, drop. Into the silence.)
It won't be I. I'll stay here - or there (more likely there). It will never be I, that's all I know. It's been done already, said and said again: the departure, the body that rises, the way (in colour), the arrival, the door that opens, closes again. It was never I. I've never stirred, I've listened.
I must have spoken?
Why deny it? Why not admit it, after all? (I deny nothing, I admit nothing.) I say what I hear? I hear what I say? I don't know. One or the other. Or both. (That makes three possibilities: pick your fancy.)
All these stories about travellers, these stories about paralytics: all are mine. I must be extremely old (or it's memory playing tricks). If only I knew if I've lived, if I live, if I'll live - that would simplify everything! Impossible to find out, that's where you're buggered. I haven't stirred, that's all I know. (No, I know something else: it's not I - I always forget that.) I resume (you must resume): never stirred from here, never stopped telling stories, to myself (hardly hearing them, hearing something else, listening for something else), wondering now and then where I got them from. Was I in the land of the living? Were they in mine? And where? Where do I store them? (In my head? I don't feel a head on me.) And what do I tell them with? With my mouth? (Same remark.) And what do I hear them with?
And so on, the old rigmarole. It can't be I. Or it's because I pay no heed: it's such an old habit, I do it without heeding. Or as if I were somewhere else.
There I am far again, there I am absentee again: it's his turn now, he who neither speaks nor listens, who has neither body nor soul. It's something else he has: he must have something, he must be somewhere. He is made of silence (there's a pretty analysis), he's in the silence. He's the one to be sought, the one to be, the one to be spoken of, the one to speak. But he can't speak: then I could stop, I'd be he, I'd be the silence, I'd be back in the silence, we'd be reunited, his story the story to be told.
But he has no story, he hasn't been in story? It's not certain: he's in his own story, unimaginable, unspeakable. That doesn't matter: the attempt must be made, in the old stories incomprehensibly mine, to find his. It must be there somewhere. It must have been mine, before being his. I'll recognize it, in the end I'll recognize it: the story of the silence that he never left, that I should never have left, that I may never find again, that I may find again. Then it will be he, it will be I, it will be the place: the silence, the end, the beginning, the beginning again - how can I say it? That's all words, they're all I have - and not many of them: the words fail, the voice fails. So be it. I know that well. It will be the silence, full of murmurs, distant cries. The usual silence, spent listening, spent waiting, waiting for the voice.
The cries abate, like all cries. (That is to say they stop.) The murmurs cease, they give up. The voice begins again (it begins trying again). Quick now before there is none left, no voice left, nothing left but the core of murmurs, distant cries: quick now and try again, with the words that remain. Try what? (I don't know, I've forgotten, it doesn't matter, I never knew.) To have them carry me into my story, the words that remain? (My old story, which I've forgotten, far from here.) Through the noise, through the door. Perhaps I'm at the door! (That would surprise me.) Perhaps it's I! Perhaps somewhere or other it was I! I can depart! All this time I've journeyed without knowing it: it's I now at the door. (What door? What's a door doing here?)
It's the last words, the true last. Or it's the murmurs: the murmurs are coming, I know that well. No, not even that. You talk of murmurs, distant cries, as long as you can talk. You talk of them before and you talk of them after. More lies: it will be the silence (the one that doesn't last) spent listening, spent waiting (for it to be broken, for the voice to break it). Perhaps there's no other, I don't know. It's not worth having, that's all I know. (It's not I, that's all I know.) It's not mine. It's the only one I ever had? That's a lie: I must have had the other, the one that lasts - but it didn't last. (I don't understand.) That is to say it did: it still lasts. I'm still in it. I left myself behind in it. I'm waiting for me there. (No, there you don't wait, you don't listen.)
I don't know: perhaps it's a dream, all a dream. (That would surprise me.) I'll wake, in the silence, and never sleep again. (It will be I?) Or dream (dream again), dream of a silence, a dream silence, full of murmurs (I don't know, that's all words), never wake (all words, there's nothing else).
You must go on, that's all I know.
They're going to stop, I know that well: I can feel it. They're going to abandon me. It will be the silence, for a moment (a good few moments). Or it will be mine? The lasting one, that didn't last, that still lasts? It will be I?
You must go on.
I can't go on.
You must go on.
I'll go on. You must say words, as long as there are any - until they find me, until they say me. (Strange pain, strange sin!) You must go on. Perhaps it's done already. Perhaps they have said me already. Perhaps they have carried me to the threshold of my story, before the door that opens on my story. (That would surprise me, if it opens.)
It will be I? It will be the silence, where I am? I don't know, I'll never know: in the silence you don't know.
You must go on.
I can't go on.
I'll go on.
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QUOTES from wikipedia - The Unnamable (1954)
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The tears stream down my cheeks from my unblinking eyes. What makes me weep so? From time to time.
There is nothing saddening here. Perhaps it is liquefied brain.
Deplorable mania, when something happens, to inquire what.
In order to obtain the optimum view of what takes place in front of me, I should have to lower my eyes a little. But I lower my eyes no more. In a word, I only see what appears close beside me, what I best see I see ill.
What they were most determined for me to swallow was my fellow creatures. In this they were without mercy. I remember little or nothing of these lectures. I cannot have understood a great deal. But I seem to have retained certain descriptions, in spite of myself. They gave me courses on love, on intelligence, most precious, most precious. They also taught me to count, and even to reason. Some of this rubbish has come in handy on occasions, I don’t deny it, on occasions which would never have arisen if they had left me in peace.
I use it still, to scratch my arse with.
These things I say, and shall say, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere.
To go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I’ll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were the first time.
I, of whom I know nothing, I know my eyes are open, because of the tears that pour from them unceasingly.
All this business of a labour to accomplish, before I can end, of words to say, a truth to recover, in order to say it, before I can end, of an imposed task, once known, long neglected, finally forgotten, to perform, before I can be done with speaking, done with listening, I invented it all, in the hope it would console me, help me to go on, allow me to think of myself as somewhere on a road, moving, between a beginning and an end, gaining ground, losing ground, getting lost, but somehow in the long run making headway.
Dear incomprehension, it’s thanks to you I’ll be myself, in the end.
At no moment do I know what I’m talking about, nor of whom, nor of where, nor how, nor why, but I could employ fifty wretches for this sinister operation and still be short of the fifty-first, to close the circuit, that I know, without knowing what it means.
The essential is to go on squirming forever at the end of the line, as long as there are waters and banks and ravening in heaven a sporting god to plague his creatures, per pro his chosen shits.
What a joy to know where one is, and where one will stay, without being there. Nothing to do but stretch out comfortably on the rack, in the blissful knowledge you are nobody for all eternity. A pity I should have to give tongue at the same time, it prevents it from bleeding in peace, licking the lips.
How all becomes clear and simple when one opens an eye on the within, having of course previously exposed it to the without, in order to benefit by the contrast.
What can it matter to me, that I succeed or fail ? The undertaking is none of mine, if they want me to succeed I’ll fail, and vise versa, so as not to be rid of my tormentors.
Bah, the latest news, the latest news is not the last.
Ah if only this voice could stop, this meaningless voice which prevents you from being nothing, just barely prevents you from being nothing and nowhere, just enough to keep alight this little yellow flame feebly darting from side to side, panting, as if straining to tear itself from its wick, it should never have been lit, or it should never have been fed, or it should have been put out, put out, it should have been let go out.
Yes, in my life, since we must call it so, there were three things, the inability to speak, the inability to be silent, and solitude, that’s what I’ve had to make the best of.
This place, if I could describe this place, no place around me, there’s no end to me, I don’t know what it is, it isn’t flesh, it doesn’t end, it’s like air…
Perhaps it's done already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence, where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.
